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- Published on: 2011-03-30
- Binding: Paperback
Most helpful customer reviews
32 of 37 people found the following review helpful.
too many typos in 4th edition
By Mark Trevor Smith
After looking at the third edition, I ordered this book for a class that I teach. The fourth edition contains many changes, all of them for the worse. The literary selections in the 4th edition are not as well chosen; the added paragraphs in the chapters on New Criticism and feminism are stylistically awkward and often confusing and repetitive, not to mention factually questionable (the claim that there were no voices in feminism between Pisan and Wollstonecraft!). Most distressing of all, this edition was apparently rushed to press in time for classes in fall 2006, for it contains typos about every five or six pages. The chapter on feminism alone has at least ten errors, e.g., "one in the same," "least" instead of "lest" (that mistake was carried over from the third edition), "lastest"!!!, inconsistency in verb number after "a variety of [plural nouns]," etc. The publisher should send an apology to all purchasers of this book, along with a list of errata. On the bright side: I tell my students that I can't penalize them too much for small errors, when the textbook contains so many!
8 of 8 people found the following review helpful.
An Extraordinarily Useful Text On Theory
By Martin Asiner
The number of user-friendly guides for introductory level literary theory is no more than three or four. LITERARY THEORY: AN INTRODUCTION TO THEORY AND PRACTICE by Charles E. Bressler is happily one of them. For a text on theory designed for the novice, the author must include a number of basic concepts. First, the text must minimize the inevitable influx of dense jargon while maximizing a clear explication of that jargon. Second, the author must set his survey of theory in a meaningful context that allows the uninitiated to trace the evolution of theory from its starting point--usually with the Greeks--up to the present day. Third, the author must define the nature of theory--no easy task there--so that the reader can connect the various strands of allied disciplines like linguistics, psychology, and economics into a coherent whole. Fourth, the text must include close analyses and summaries of the major schools of theory--again no easy task since there is considerable disagreement even among those who are recognized experts as to which strands of the web of theory deserve inclusion. And finally, that author ought to show the reader how to make the transcendent leap from the abstruseness that is theory to the concretization of the use of that theory by providing real-life examples of writing that illustrate that theory in action. Bressler does all this and does so with a flair that puts most of his academic competitors to shame.
Part of the reason for his success is his simple yet not simplistic methodology that accompanies each school of theory. He begins each school with an introduction that foregrounds his analyses in a real-world application that makes sense even to the rank novice. He follows with an erudite historical development, which includes assumptions that proponents of that school hold. He then considers the methodology by which that proponent translates abstract assumption to concrete reality. What I found especially useful were his concluding questions for analyses and student-derived essays that examined a specific text under a designated literary lens.
There are other introductory guides that do much of the preceding but only Bressler does it all so well. This text has use beyond the introductory undergraduate course in theory. For those in graduate seminars who need a refresher in the basics or wish to see theory reflected in the reality of everyday literary texts, LITERARY THEORY is a work that ought to achieve frequent perusal during a lifetime of reading that extends far beyond the requirements of a college course.
21 of 23 people found the following review helpful.
Excellent guide for beginners.
By Hesper23
4 years of English studies, and I never once sat down to read literary theory until I had to take a course in it. Bressler's book helped me immensely to sort out the confusing mass that is theory. He lists a dozen or so major movements, such as formalism, reader-response criticism, structuralism, and post-structuralism, and also includes "additional" chapters on individual theorists such as Barthes, Levi-Strauss, etc. The explanations are concise. I also like how this professor turned author looks at theory from the student's perspective: he breaks down complicated ideas into manageable parts, without losing the essential point of the theory.
Another book that I found helpful was *Literary Theory: An Anthology* ed. Julie Rivkin. Unlike Bressler's book, this one is HUGE and very heavy, but nonetheless useful.
Actually, after reading more about literary theory, I'm no longer scared of it. So, if you're like me, a "newbie" to literary theory, you'd do well to start with this book.
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