Kamis, 30 Juni 2011

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A detailed guide to capturing outstanding images in the great outdoors, using today's sophisticated digital SLR and compact digital cameras

From choosing the correct camera, lenses, filters, and outdoor photographic accessories to the practicalities of gauging the weather, tide times, and the optimum time of day to shoot, this comprehensive handbook discusses the theory and technicalities of exposure, composition, light, and color. You'll learn all about getting creative with panoramas, abstracts, and using flash outdoors, with essential information on slow shutter speeds and panning. Expert advice describes the preparation and techniques for shooting in the field in a wide variety of outdoor locations: from mountains, coastlines, deserts and jungles, to lakes, waterfalls, rivers, clouds, flowers, and trees—plus how to successfully photograph people and animals in the landscape.

  • Sales Rank: #2753957 in Books
  • Brand: Ammonite Press
  • Model: S-011579
  • Published on: 2011-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .60" h x 5.70" w x 7.00" l, .70 pounds
  • Binding: Paperback
  • 192 pages

About the Author
Steve Watkins is an award winning travel photographer and writer, and the editor of Outdoor Photography magazine. He has written and photographed three of the titles in the Unforgettable series, including Unforgettable Things to Do Before You Die. Steve has walked on the wild side for 20 years as an adventurer and travel photographer, and in the past eight years alone he shot 120,000 images in 65 countries.

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1 of 2 people found the following review helpful.
Interesting
By realexpressions photography
This book has a lot of interesting ideas and good techinacle advise to help you get the most out of your shots.

0 of 0 people found the following review helpful.
Five Stars
By Kenneth Jensen
Great book

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Senin, 27 Juni 2011

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The 8th Edition of "Entrepreneurship", by Robert Hisrich, Michael Peters and Dean Shepherd has been designed to clearly instruct students on the process of formulating, planning, and implementing a new venture. Students are exposed to detailed descriptions of 'how to' embark on a new venture in a logical manner. Comprehensive cases at the end of the text have been hand-picked by the authors to go hand-in-hand with chapter concepts. The superb author team of Hisrich, Peters, and Shepherd draw from their distinct backgrounds to create a book that addresses the dynamics of today's entrepreneurial challenges. From Bob Hisrich's expertise in global entrepreneurship to Mike Peter's background as a both a real-life entrepreneur and academic to Dean Shepherd's current research on cognition and entrepreneurial mindset, this book balances the crucial line between modern theory and practice.

  • Sales Rank: #2747775 in Books
  • Published on: 2010
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.04" h x .83" w x 7.95" l, 1.10 pounds
  • Binding: Paperback
  • 672 pages

About the Author
Robert Hisrich is Mixon Chair and Professor of Marketing and Policy Studies at the Weatherhead School of Management at Case Western Reserve University. He received a Ph.D. in marketing and finance from the University of Cincinnati. Michael Peters is currently marketing department chair and Professor at Boston College. He earned a Ph.D. from the University of Massachusetts at Amherst.

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Selasa, 21 Juni 2011

[R147.Ebook] Free PDF Men in Black, by John Harvey

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Mr. Pink:
"Why can't we pick out our own color?"

Joe:
"I tried that once, it don't work. You get four guys fighting over who's gonna be Mr. Black."

—Quentin Tarantino, Reservoir Dogs

Men's clothes went black in the nineteenth century. Dickens, Ruskin and Baudelaire all asked why it was, in an age of supreme wealth and power, that men wanted to dress as if going to a funeral. The answer is in this history of the color black. Over the last 1000 years there have been successive expansions in the wearing of black—from the Church to the Court, from the Court to the merchant class. Though black as fashion was often smart and elegant, its growth as a cultural marker was fed by several currents in Europe's history—in politics, asceticism, religious warfare. Only in the nineteenth century, however, did black fully come into its own as fashion, the most telling witnesses constantly saw connections between the taste for black and the forms of constraint with which European society regimented itself.

Concentrating on the general shift away from color that began around 1800, Harvey traces the transition to black from the court of Burgundy in the 15th century, through 16th-century Venice, 17th-century Spain and the Netherlands. He uses paintings from Van Eyck and Degas to Francis Bacon, religious art, period lithographs, wood engravings, costume books, newsphotos, movie stills and related sources in his compelling study of the meaning of color and clothes.

Although in the twentieth century tastes have moved toward new colors, black has retained its authority as well as its associations with strength and cruelty. At the same time black is still smart, and fashion keeps returning to black. It is, perhaps, the color that has come to acquire the greatest, most significant range of meaning in history.

  • Sales Rank: #1288201 in Books
  • Published on: 1996-12-15
  • Released on: 1996-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.38" h x .50" w x 6.13" l, 1.20 pounds
  • Binding: Paperback
  • 280 pages

From Library Journal
In this thoughtful, scholarly work, Harvey (English, Cambridge) explores the use of the color black in menswear in Western Europe during the last 500 years. By numerous quotations and illustrations from historical and literary sources, he proves his thesis that black, ostensibly a symbol of piety, humility, or sorrow, was actually a form of "power dressing." From early clergy, Renaissance kings, and aristocracy through the 19th-century middle class, when it seemed that all men wore it, black connoted financial, social, or political success. As women gained power of their own in this century, so did they, too, adopt "basic black" for more than just mourning. Harvey examines the place of black in today's multihued culture. Arguably the best contribution to the growing body of literature on the meaning of clothes and colors (joining the works of Anne Hollander, Fred Davis, et al.), this title is highly recommended for academic and specialized collections.
Therese D. Baker, Western Kentucky Univ. Libs., Bowling Green
Copyright 1996 Reed Business Information, Inc.

From Booklist
Men began wearing black for all occasions during the early part of the nineteenth century. Harvey, a lecturer at the University of Cambridge, analyzes this somber color preference from several intriguing perspectives. He conducts a deft but detailed survey of the wearing of black in Europe over the centuries, noting that black has long been the color of mourning and that its use was further restricted by the difficulty and expense of the manufacture of black cloth. Once the Industrial Revolution got under way, black cloth became readily available and very popular. Many writers of the day, especially Dickens and Baudelaire, reflected on the implications of this funereal trend, a theme Harvey explores in extended chapters of literary analysis. He also discusses the work of such painters as Manet, Tissot, and Sargent and their interpretation of the power of black clothing: its authority, elegance, sexuality, melancholy, and romance and how it worked in sharp contrast to women's airy white attire. As Harvey's history progresses, he tracks the emergence of black in women's fashion and discusses religious and military garb as well as the twentieth-century black-leather mystique. A touch academic but the subject is irresistible. Donna Seaman

Review
It's the claim of some books that they will change your life, Men in Black makes no such claim, yet it undoubtedly will if you read it ... a brilliantly sustained, illuminating and subtle disquisition on the malaise of nineteenth and twentieth-century English society - you will probably never put on a black garment again, man or woman, without resonating like a tuning fork with the memory of what you have read. Literary Review The precision of Mr Harvey's commentary and the ease with which he wears his research and learning make Men in Black seem like a walk through history by someone who knows what he's talking about ... always interesting and beautifully written. The Washington Times

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Sabtu, 11 Juni 2011

[C840.Ebook] Ebook The Left-Hander Syndrome: The Causes and Consequences of Left-Handedness, by Stanley Coren

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The Left-Hander Syndrome: The Causes and Consequences of Left-Handedness, by Stanley Coren

If you are among the 10 percent of people who happen to be left-handed, you've had to endure such derisive terms as "gauche" and "a left-handed compliment." At school you may have been forced to write with your right hand. And in another century your proclivity might have gotten you accused of witchcraft.

Any left-handed person, or the spouse, parent, or friend of one, will be captivated by this essential and eye-opening book. With bracing wit and a flawless command of current research, psychologist Stanley Coren answers such questions as:

Is left-handedness acquired genetically or socially?

Are southpaws more creative than their right-handed fellows?

Why do left-handers seem to die younger than right-handers?

What can left-handers do to counteract the perils and prejudices that confront them in a world that leans to the right?

  • Sales Rank: #318945 in Books
  • Brand: Brand: Vintage
  • Published on: 1993-06-29
  • Released on: 1993-06-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x .83" w x 5.23" l, .70 pounds
  • Binding: Paperback
  • 317 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
An interesting but confusing exegesis, this book is full of bad news for southpaws, who will find that they are more prone to a diversity of ailments.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
Coren received a good deal of media attention several years ago when he and a colleague published a paper claiming that left-handed people die at a considerably younger age, on average, than their right-handed counterparts. The current book explores the social consequences and biological causes of sinistrality in the process of explaining these findings, disproving some widely held myths along the way (e.g., most southpaws are not "right-brained"; handedness is probably not inherited). The book is readable without oversimplifying the topic, and is highly recommended for public and academic libraries on the basis of its own merits, the interest it will generate, and the fact that it is the only serious and up-to-date treatment of the topic for the general reader.
- Mary Ann Hughes, Washington State Univ. Libs., Pullman
Copyright 1991 Reed Business Information, Inc.

Review
"A rich account of the history, anthropology and neurobiology of handedness." -- Los Angeles Times

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62 of 62 people found the following review helpful.
All hands are equal,but one hand is more equal than the other
By Roger McEvilly (the guilty bystander)
Well well, there is some very interesting stuff here. Why are only around 10% of the population left handed? Is this genetic or learned? And what does this mean for tool making, writing, driving, accident proneness, societal prejudice, sporting pursuits, and general living as a left hander? You might also be interested to know that around 20% of people are left footed, and around 40% of people are left eyed. Also more woman are right handed than men. And then there are the mixed types, the ambidextorous, and also those who mix different activities and their handedness- say writing and throwing. A surpising number of people are actually mixed types, and this increases for footedness and eyedness.
This book is a good overview of various statistics, and what it means to live as a left hander in a right handed world. The author has conducted many years research into various studies, from identical twin studies, to family studies, to genes and learning, to the way tools are designed, and how left handers cope with these sorts of things in general. Bias, prejudice, and general policies are discussed, both historically and in recent times. (Everyone knows the old rap over the knuckle for left handed school students several generations ago, but where have we come from there?).
The author mentions his university in the 1990s where all the chairs in his lecture theatre have right-sided writing areas. (Being left handed in writing, I also remember having to cope with this at university. I also remember smudging most of my first ink pen writing in primary school-left handed writers will know what I am talking about!).
One of the best things about this book is the detail. Not only is there analyses of handedness, but as mentioned, footedness, eyeness, and even earness. Which ear do you listen to your watch with? Also, mixed handed types are discussed, along with various sports, and degree of lefthandness (and right handedness!) in each, and where it may be useful to be more of a mixed type for some sports (eg soccer with mixed footedness, and basketball with mixed handedness). Readers are given personal questionaires to determine their general level of left or right handedness, footedness, earness, and eyeness. Links with brain states and brain areas, personality types, tendancy to certain careers and so on is also discussed. Famous lefties are also listed.
The book is a must for the curious leftie, and for those who are interested in where this curious, and rather little studied aspect of humanity is taking us.

24 of 24 people found the following review helpful.
Very concrete and helpful as well as scientifically sound
By M. McPhillips
I learned a great deal about myself reading this book and I think even came away with higher self esteem. The author is a leading scientist studying left-handedness and explains why media and "common knowledge" information and facts on the subject are often incorrect. The writing style is factual and informative but also entertaining. You learn about the problems of left-handed presidents as well as your own or a friend's problems and why there are fewer left-handed older people than younger ones. I'm very grateful to the author for explaining to me why I had so much trouble in dancing class as a teenager; I found his answer to that puzzle much more help than all the dermatologists my mother took me to for my acne. I wish I could have read this book earlier in my life.

23 of 24 people found the following review helpful.
Interesting issues that are worthy of further investigation
By Mark Carroll
This book doesn't tell left-handers how best to live in a right-handers' world, but it doesn't purport to. It does, however, live up to its title. Coren presents a range of very interesting theories and conclusions about left-handedness. Crucially, he also describes the actual studies and presents their results, and is fairly clear about when something's just a theory and why one might believe it, so you get to see some raw facts and judge for yourself. I'm strongly left-handed and am not in the least bit offended by the idea that it could have possibly been caused by something going slightly wrong somewhere. Some of the theories did actually explain a few things about my family and myself quite well, which was an added bonus.

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, by James Kahn The Goonies [Paperback]From Warner Books (NY)

  • Published on: 1985-05-16
  • Binding: Paperback

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Selasa, 31 Mei 2011

[G411.Ebook] Download PDF A Monster Calls: Inspired by an idea from Siobhan Dowd, by Patrick Ness

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A Monster Calls: Inspired by an idea from Siobhan Dowd, by Patrick Ness

An unflinching, darkly funny, and deeply moving story of a boy, his seriously ill mother, and an unexpected monstrous visitor.

At seven minutes past midnight, thirteen-year-old Conor wakes to find a monster outside his bedroom window. But it isn't the monster Conor's been expecting-- he's been expecting the one from his nightmare, the nightmare he's had nearly every night since his mother started her treatments. The monster in his backyard is different. It's ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth. From the final idea of award-winning author Siobhan Dowd-- whose premature death from cancer prevented her from writing it herself-- Patrick Ness has spun a haunting and darkly funny novel of mischief, loss, and monsters both real and imagined.

  • Sales Rank: #900 in Books
  • Brand: Candlewick
  • Published on: 2013-03-12
  • Released on: 2013-03-12
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .63" w x 6.41" l, 1.15 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

Review
There's no denying it: this is one profoundly sad story. But it's also wise, darkly funny and brave, told in spare sentences, punctuated with fantastic images and stirring silences. Past his sorrow, fright and rage, Conor ultimately lands in a place - an imperfect one, of course - where healing can begin. A MONSTER CALLS is a gift from a generous story­teller and a potent piece of art.
—The New York Times

A nuanced tale that draws on elements of classic horror stories to delve into the terrifying terrain of loss. . . . Ness brilliantly captures Conor's horrifying emotional ride as his mother's inevitable death approaches. In an ideal pairing of text and illustration, the novel is liberally laced with Kay's evocatively textured pen-and-ink artwork, which surrounds the text, softly caressing it in quiet moments and in others rushing toward the viewer with a nightmarish intensity.A poignant tribute to the life and talent of Siobhan Dowd and an astonishing exploration of fear.
—Kirkus Reviews (starred review)

Profoundly moving, expertly crafted tale... a singular masterpiece, exceptionally well-served by Kay's atmospheric and ominous illustrations... tackles the toughest of subjects by refusing to flinch, meeting the ugly truth about life head-on with compassion, bravery, and insight.
—Publishers Weekly (starred review)

A brilliantly executed, powerful tale.
—School Library Journal (starred review)

Ness twists out a resolution that is revelatory in its obviousness, beautiful in its execution, and fearless in its honesty. Kays artwork keeps the pace, gnawing at the edges of the pages with thundercloud shadows and keeping the monster just barely, terribly seeable.
—Booklist (starred review)

A masterpiece about life and loss that will stay with the reader long after the final page is turned.
—Library Media Connection (starred review)

About the Author
Patrick Ness is the author of the critically acclaimed and best-selling Chaos Walking trilogy. He has won numerous awards, including the Guardian Children's Fiction Prize, the Booktrust Teenage Prize, and the Costa Children's Book Award. Born in Virginia, he lives in London.

Siobhan Dowd spent twenty years as a human rights campaigner for PEN and Amnesty International before her first novel, A SWIFT PURE CRY, was published in 2006. She won the Carnegie Medal posthumously in 2009 after her death at the age of forty-seven.

Jim Kay studied illustration and worked in the archives of the Tate Gallery and the Kew Royal Botanic Gardens, two experiences that heavily influence his work. His images for A MONSTER CALLS use everything from beetles to breadboards to create interesting marks and textures. Jim Kay lives in Edinburgh, Scotland.

Most helpful customer reviews

94 of 100 people found the following review helpful.
A fiercely beautiful book about love and grief.
By Wendy Darling
In the dark of night, when the house is still, what fears creep into your heart? For Conor O'Malley, his nightmares take the shape of a very old and very dangerous monster who visits him every night at seven minutes past midnight. He's half-convinced that these must be dreams of his fevered mind. But how can they be, when the visits are so vivid and when he finds physical evidence of the monster's existence the next day?

Conor's nightmares begin shortly after his mother starts her treatments for cancer. He's also dealing with a father who lives far away and is engrossed with his new family, a brisk and determined grandma who doesn't understand him, and schoolmates who don't seem to see him anymore. As readers learn more and more about Conor's story and the terrible monster who comes to visit, it is impossible not to feel worry and fear and sadness for this boy, whose must shoulder problems that have toppled many adults before him. But even in his anger and pain, Conor's defiant spirit shows flashes of dry humor and painful hopefulness that are difficult to witness, but make him impossibly endearing.

A Monster Calls is a children's book, but it's a children's book in the way that Roald Dahl or Shel Silverstein wrote children's books--that is, the surface stories are certainly well-written and compelling, but underneath that are the themes of confusion and loneliness and sadness that elevate them to timeless works of literature. And while A Monster Calls chooses to confront its demons more literally than some other books may, it does so with such fierce intelligence and ease that it never feels didactic or forced.

This an incredible book about the enormous burdens of responsibility and grief and loss. I read most of it with anxiety in my heart and as the story intensified, the ache in my throat got worse and worse. By the time I reached the end, hot tears were dripping onto the last two pages, and continued to fall as I immediately read those pages again, and as I read them yet again.

But more than anything else, I felt a great deal of love as I was reading this. Love for Conor, love for his mum, love for his grandma, and love for everyone who has ever experienced a profound loss. This is such a beautiful book, such an important book, and one that I think so many children and so many adults will appreciate. I cannot imagine that there will be another children's book written this year that will provide such a moving experience, or one that will so easily become an instant classic. In just 215 pages, A Monster Calls shatters your heart and then wraps it up tightly again so that you can go and be present in the world as an infinitely wiser, more loving human being.

***Please consider buying the hardcover over the ebook in this case, as the starkly beautiful illustrations add to the reading experience in an integral way.***

*An advance copy of this book was provided by the publisher for review.*

40 of 42 people found the following review helpful.
A book that will grab onto your heart!
By Heidi
Five stars: This is a haunting, heartbreaking book that will grab onto your heart strings.

A Monster Calls is one of those books that has the ability to break your heart and touch your soul. On the surface it is supposedly a children's book; one where a monster comes roaring to a window one night. A great, old, wild terrible monster but he is not the horrible nightmare Conor O'Malley has been expecting; for you see he has been haunted repeatedly in his nightmares by something far worse. This horror of his dreams is something so cruel and terrifying he dares not acknowledge it. The monster at his window, who is strangely constructed from the ancient yew tree in the graveyard, imparts three different tales to Conor; three tales of truths. The monster warns that when the last tale has been told Conor must tell his own tale. He must confess his great truth, his greatest fear, or be eaten but he cannot reveal to anyone that which is devouring his soul or can he? Besides the monster is just a dream after all but why is his room mysteriously covered with needles and berries from a yew tree?
Thus, the journey begins. The story opens with thirteen year old Conor bearing the crushing toll of his mother's cancer. He slowly watches as the disease ravishes her body, steals her vitality and hair and sucks away her life. Each day he shoulders more and more of a burden too heavy for a boy his age. At school he has become the invisible boy. Everyone is afraid to speak to him, for he is the boy whose mother has cancer. Day in and day out he endures the whispers and looks of pity, surrounded by people, who inadvertently ignore him because they fear saying the "wrong" thing. Conor is screaming inside for anyone to recognize him, even if it means drawing the attention of a bully. He wants desperately just to have some part of his life be normal. He has no one to turn to. His Grandmother is controlling and obsessed with her own troubles so they end up sparring with each other instead of admitting that they are both haunted by the same specter. His father selfishly walked out of Conor's world and into a new existence in America with a wife and infant daughter. He has a life now that does not provide a space for his son. He reappears briefly but he does not offer the refuge Conor seeks. It seems that Conor is alone until the monster storms in through the window.
So what is this monster? The author leaves the interpretation up to the reader. For me the monster is a construct made up of all the agony, fear, loneliness and conflicting emotions that wage in Conor's mind. I saw the three tales as Conor's way of trying to understand some of the issues that plague him. Through Conor's eyes I lived the constant pain and turmoil surrounding his mother's illness. I felt his optimism and I understood his refusal to believe that the medicines might not hold the cure. As the cancer closes in the pain becomes an agonizing vice grip on your heart. There are glimmers of hope but there is always the choking dread. When Conor and the monster reach the end of the saga and he comes to terms with the fear that has been shredding his soul, my heart broke. I cried for Conor and for myself; for I too have faced down that fear and I have seen the eyes of his nightmarish monster. Yes, this book tore my heart but I found relief too. I was glad to know that I shared the same discordant emotions that Conor felt and that these feelings were normal and acceptable. In the end I was comforted as Conor took shelter in the arms of the yew tree; knowing he had faced and conquered his ultimate terror. I know he has found his peace. As have I and hopefully the countless others who have endured this life altering event.

This is a book based on the ideas of Siobhan Dowd, a new, talented voice with such promise. Ultimately she was silenced too early; she died of cancer in 2007. Her first novel was published in 2006. Several award winning works including, A Monster Calls were published posthumously. She had outlined the idea and characters for this book before the cancer snatched her away. Patrick Ness does a tremendous job in completing her work and fulfilling her vision. To me he even brought forth her spirit as I imagined it was her pain and suffering that I witnessed in Conor's mother.
This is a book that speaks to both young and old. I fear the label of a young adult book for this work. This book transcends far beyond a book for youth. It has the ability to touch all of us because at some time in life we all find ourselves facing down the great dread of illness and death. This work will speak differently to everyone who reads it. It is an amazing and powerful piece of literature that everyone should experience. This is a book that gets into your head, brushes your soul and changes you.

Favorite Quotations:

"Stories are wild creatures, the monster said. When you let them loose, who knows what havoc they might wreak."

"Sometimes people need to lie to themselves most of all."

"There is not always a good guy. Nor is there always a bad one. Most people are somewhere in between."

"Belief is half of healing."

"Stories are important, the monster said. They can be more important than anything. If they carry the truth."

"I couldn't hold onto her any more. She got so heavy."

"The answer is that it does not matter what you think, the monster said, because your mind will contradict itself a hundred times each day."

"Your mind will believe comforting lies while also knowing the painful truths that make those lies necessary. And your mind will punish you for believing both."

"You do not write your life with words, the monster said. You write it with actions. What you think is not important. It is only important what you do."

"I wish I had a hundred years," she said, very quietly. "A hundred years I could give to you."

64 of 71 people found the following review helpful.
Intense, emotional, unforgettable
By Milw. Writer
STOP.
Seriously, don't read any further if you don't want to know my reaction to this novel.
Because this book will grab your mind, body, heart, and soul.
Okay, I warned you.

A Monster Calls SHOULD be read in one sitting. It's so powerful, so painful that it feels like a gaping wound right where your heart is. I only read one review on Goodreads and I knew I had to pick up this book. The author of that review said she cried and cried. I braced myself.
I picked up this book knowing that it would tear at my heart, make me think. About life. About death. It's a book about holding on and letting go. It's about control and losing control. It's about lies and truths. As I said, I braced myself. Only once did I get misty-eyed. I didn't want to cry. But when I finished the last page I paced my living room floor. Dry-eyed. A book like this MUST impact the reader in some way because seriously if it doesn't, I truly would wonder if stone exists in place of a heart. But the real question is what do you DO with a book like this?
I say gobble it up. Take it in. Hold it close. Then. Let. It. Go. Live life with meaning and purpose. Be kind to others. Be kind to yourself. Work on letting go of old hurts. Turn your dreams into action. Don't just talk. DO! Because all we really have to hold onto is what we do in the here and now. I realize it's not an easy way to live all the time. But this book reminds us that life is precious. We can't waste it. That WE are responsible for finding meaning to our own lives and making something special out of it.
That's how I see it. I did warn you.

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Senin, 30 Mei 2011

[V451.Ebook] Fee Download Collecting Antique Marbles: Identification & Price Guide, by Paul Baumann

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Collecting Antique Marbles: Identification & Price Guide, by Paul Baumann

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Collecting Antique Marbles: Identification & Price Guide, by Paul Baumann

The marbles covered here include agate and stone; clay, crockery and china; German swirls; swirls with coloured glass, mica or goldstone; and individually made ones. Companies features are M.F. Christiansen, Akro Agate, Christensen Agate and Peltier Glass.

  • Sales Rank: #1640020 in Books
  • Published on: 1999-09
  • Original language: English
  • Number of items: 1
  • Dimensions: .52" h x 8.56" w x 10.91" l,
  • Binding: Paperback
  • 176 pages

About the Author

A child of antique collectors, Paul Baumann was encouraged to find his own collecting niche; he found it in marbles, and has been an avid collector since 1952.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Perfect for beginners!
By D. Vessels
I bought this kindle version as I was not sure I would want to pay the price of the book. Having recently become interested in Carpet ball / bowls, this book kept coming up in a Google search, I was able to review it quit extensively before purchasing the E-Book version. It had a great deal of information about Scottish Carpet ball or bowls, including excellent pictures of authentic and reproduction balls. The reproduction was my main concern, and seeing the patterns that were reproduced etc. was very helpful.
After seeing the pictures of the China marbles I am totally hooked on the painted ones as well.
Everything about this book is very informative, the reproduction sections are particularly of interest and value. The pictures are amazing and clear. I have just purchased the paper published version, to go with the Kindle version. I would recommend this to anyone interested in antique marbles or carpet balls. I is the only book I have found that covers the subject enough to make a informed purchased.

5 of 5 people found the following review helpful.
Paul Bauman's Collecting Antique Marbles
By More Than Marbles
Probably the best and most complete book available on antique marbles for both the novice and advanced collector. Provides excellent description, with pictures and price guide, of all types of antique marbles, their origin and method of manufacture. Great reading and quite helpful in identifying these marbles. It is not just pictures and a few words. Also, it has quite a comprehensive section on Antique Victorian Carpet Balls. Nothing even close exists in other publications. It is, by far,the best reference book I have ever come across in both areas, i.e. antique marbles and antique carpet balls. I purchased this copy for a friend just getting into antique marble collecting.

1 of 1 people found the following review helpful.
marble collector
By Amazon Customer
I have his original physical book. The update is good. It is so much prettier in Kindle app on my tablet computer and more helpful with accuracy of pictures. I have been a collector for 40 years, before everyone else was collecting, and there were any price guides. This is one of the best. I am so glad I looked for it and Amazon, bless their hearts, had it.

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